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Press


Arts and Culture Magazine, March 2020 Jeanne Claire van Ryzen Rock ResetL with her tito’s prize exhibition, Betelhem Makonnen suggests an alternative to our current climate of temporal anxiety

Hyperallergic, December 2019
Billy Anania Two Transnational Artists Connect Through Shared Experiences of Displacement

Sightlines Magazine, December 2019
Barbara Purcell Retracing the Past Back to the Now

Austin American Statesman, October 2019
Michael Barnes Time collapses for Tito’s Prize winner Betelhem Makonnen
 
SAIC F Newsmagazine, August 6, 2019
Luis Lopez Levi Low-Residency, High Impact
Austin Chronicle, June 2019
Robert Faires Local Exhibitions Point to Ways People of Color Were Freed but Still Aren't Free.
The Carver Museum asks: Freedom when?
Art in America, May 2019
Sean J Patrick Carney Dark Eco - Comedy: Austin’s Fusebox Festival
Sightlines Magazine, April 2019
Kaila Schedeen Trying to get present: Black Mountain Project’s constant escape
Fusebox Festival Blog April 2019
Phillip Townsend Black Mountain Project: Constant Escape
Interview

Austin Art in Public Places TEMPO Project, October 2018
untitled (these united states)

Arts and Culture Magazine, March 2018
Tarra Gaines The Geology of Art: Fusebox 2018

Revista Lampejo, March 2017
Daniel Corte Daniel Lin(Ha)S Nômades

Conflict of Interest, October, 2017

Jessi DiTillio, Q+A with Adrian Aguilera + Betelhem Makonnen
Revista Caju, April, 2017
Analu Cunha videoarte em transito

Austin Chronicle, December 2016
Caitlin Greenwood Imperialism and identity compete in Betelhem Makonnen’s solo show about a 19th century Ethiopian prince

Arts and Culture Magazine, September 2016
Thao Votang, The Honesty of Rocks: Crit Group at GrayDUCK Gallery